To join with us, and sacrifice to justice. [Exit. By cares on earth, and by my pray'rs to heav'n,

'Tis not the stoic's lessons got by rote, The pomp of words, and pedant dissertations, That can sustain thee in that hour of terror; Books have taught cowards to talk nobly of it, But when the trial comes they stand aghast; Hast thou consider'd what may happen after it? Cal. 'Tis well! these solemn sounds, this How thy account may stand, and what to

CALISTA is discovered on a Couch, in black; her Hair hanging loose and disordered. After soft Music she rises and comes forward.

Is this that haughty, gallant, gay Lothario,
That dear, perfidious-Ah!-how pale he looks! At length the stubborn virtue has prevail'd;

That all the blessings I could gather for thee, I could curse nature, and that tyrant, honour,

Dost thou not labour with thy murd'rous weight? And you, ye glitt'ring, heav'nly host of stars, Hide your fair heads in clouds, or I shall blast you; For I am all contagion, death, and ruin, And nature sickens at me. Rest, thou world, my daughter! [Exit. This parricide shall be thy plague no more; Cal. Now think, thou curs'd Calista, now Thus, thus I set thee free. [Stabs herself.

And these the parting pangs, which nature feels,
When anguish rends the heartstrings - Oh,

And makes it grateful as the dawn of day.
Oh, take me in, a fellow mourner, with thee,
Til number groan for groan, and tear for tear;
And when the fountain of thy eyes are dry,
Mine shall supply the stream, and weep for both. As with thy father here. Die, and be happy.

To join with us, and sacrifice to justice. [Exit. By cares on earth, and by my pray'rs to heav'n,

Alt. There is a heavy weight upon my senses;
A dismal, sullen stillness, that succeeds
The storm of rage and grief, like silent death,
After the tumult and the noise of life.
Would it were death, as sure 'tis wondrous like it,
For I am sick of living; my soul's pall'd,
She kindles not with anger or revenge;
Love was th' informing, active fire within :
Now that is quench'd, the mass forgets to move,
And longs to mingle with its kindred earth.
[Exit.

ACT V.

SCENE I.-A Room hung with black; on one
Side LOTHARIO'S Body on a Bier; on
the other a Table, with a Scull and other
Bones, a Book and a Lamp on it.

forward.

Were little for my fondness to bestow;
Why didst thou turn to folly then, and curse me?
Cal. Because my soul was rudely drawn

from yours,

A poor, imperfect copy of my father;
It was because I lov'd, and was a woman.
Sci. Hadst thou been honest, thou hadst

been a cherubim;
But of that joy, as of a gem long lost,
Beyond redemption gone, think we no more.
Hast thou e'er dar'd to meditate on death?
Cal. I have, as on the end of shame and

sorrow.

Sci. Ha! answer me! Say, hast thou coolly thought?

Cal. I've turn'd my eyes inward upon myself, Where foul offence and shame have laid all

waste;

'Tis not the stoic's lessons got by rote,
The pomp of words, and pedant dissertations,
CALISTA is discovered on a Couch, in black; That can sustain thee in that hour of terror;
her Hair hanging loose and disordered. Books have taught cowards to talk nobly of it,
After soft Music she rises and comes But when the trial comes they stand aghast;
Hast thou consider'd what may happen after it?
Cal. 'Tis well! these solemn sounds, this How thy account may stand, and what to
pomp of horror,
answer?
Are fit to feed the frenzy in my soul.
Here's room for meditation ev'n to madness,
Till the mind burst with thinking. This dull flame
Sleeps in the socket. Sure the book was left
To tell me something;-for instruction then-
He teaches holy sorrow and contrition,
And penitence. Is it become an art then?
A trick that lazy, dull, luxurious gownmen
Can teach us to do over? I'll no more on't:
[Throwing away the Book.
I have more real anguish in my heart,
Than all their pedant discipline ine e'er knew.
What charnel has been rifled for these bones?
Fie! this is pageantry;-they look uncouthly.
But what of that, if he or she that own'd 'em
Safe from disquiet sit, and smile to see
The farce their miserable relics play?
But here's a sight is terrible indeed!
Is this that haughty, gallant, gay Lothario,
That dear, perfidious-Ah!-how pale he looks!
And those dead eyes!

Therefore my soul abhors the wretched dwelling,
And longs to find some better place of rest.
Sci. Tis justly thought, and worthy of that
spirit

Ascend, ye ghosts, fantastic forms of night,
In all your diff'rent dreadful shapes ascend,
And match the present horror, if you can.

Enter SCIOLTO.

Sci. This dead of night, this silent hour of
darkness,
Nature for rest ordain'd, and soft repose;
And yet distraction and tumultuous jars,
Keep all our frighted citizens awake:
Amidst the gen'ral wreck, see where she stands,
[Pointing to Calista.

Like Helen, in the night when Troy was sack'd,
Spectatress of the mischief which she made.

Cal. It is Sciolto! Be thyself, my soul,
Be strong to bear his fatal indignation,
That he might see thou art not lost so far,
But somewhat still of his great spirit lives
In the forlorn Calista.

Sci. Thou wert once

My daughter.

Cal. Happy were it I had dy'd,

And never lost that name.

Sci. That's something yet;

Thou wert the very darling of my age:

I thought the day too short to gaze upon thee,

That dwelt in ancient Latian breasts, when Rome
Was mistress of the world. I would go on,
And tell thee all my purpose; but it sticks
Here at my heart, and cannot find a way.

Cal. Then spare the telling, if it be a pain,
And write the meaning with your poniard here.
Sci. Oh! truly guess'd-seest thou this tremb-

ling hand?

[Holding up a Dagger. Thrice justice urg'd-and thrice the slack'ning

sinews

Forgot their office, and confess'd the father.
At length the stubborn virtue has prevail'd;
It must, it must be so-Oh! take it then,
[Giving the Dagger.

And know the rest untaught.
Cal. I understand you.

It is but thus, and both are satisfied.

[She offers to kill herself; Sciolto
catches hold of her arm.

Sci. A moment, give me yet a moment's space.
The stern, the rigid judge has been obey'd;
Now nature, and the father, claim their turns.
I've held the balance with an iron hand,
And put off ev'ry tender human thought,
To doom my.child to death; but spare my eyes
The most unnat'ral sight, lest their strings crack,
My old brain split, and I grow mad with horror.

Cal. Ha! is it possible? and is there yet
Some little, dear remain of love and tenderness
For poor, undone Calista, in your heart?

Sci. Oh! when I think what pleasure I took

in thee,

What joys thou gav'st me in thy prattling infancy,
Thy sprightly wit, and early blooming beauty;
Ilow have I stood and fed my eyes upon thee,
Then, lifting up my hands and wond'ring

bless'd thee;

That all the blessings I could gather for thee, I could curse nature, and that tyrant, honour,

Cal. That I must die, it is my only comfort;
Death is the privilege of human nature,
And life without it were not worth our taking:
Come then,

Thou meagre shade; here let me breathe my last,
Charm'd with my father's pity and forgiveness,
More than if angels tun'd their golden viols,
And sung a requiem to my parting soul.

Sci. I'm summon'd hence; ere this my friends

expect me.
There is I know not what of sad presage,
That tells me I shall never see thee more;
If it be so, this is our last farewell,
And these the parting pangs, which nature feels,
When anguish rends the heartstrings - Oh,

my daughter!

That, were I not abandon'd to destruction,
With thee I might have liv'd for ages bless'd,
And died in peace within thy faithful arms.

Enter HORATIO.

Hor. Now mourn indeed, ye miserable pair!
For now the measure of your woes is full.
The great, the good Sciolto dies this moment.
Cal. My father!

Alt. That's a deadly stroke indeed.
Hor. Not long ago, he privately went forth,
Attended but by few, and those unbidden.
I heard which way he took, and straight pur-
su'd him;

But found him compass'd by Lothario's faction,
Almost alone, amidst a crowd of foes.
Too late we brought him aid, and drove them

back;
Ere that, his frantic valour had provok'd
The death he seem'd to wish for from their swords.
Cal. And dost thou bear me yet, thou pa-

tient earth?

Dost thou not labour with thy murd'rous weight? And you, ye glitt'ring, heav'nly host of stars, Hide your fair heads in clouds, or I shall blast you; For I am all contagion, death, and ruin, And nature sickens at me. Rest, thou world, [Exit. This parricide shall be thy plague no more; Cal. Now think, thou curs'd Calista, now Thus, thus I set thee free. [Stabs herself. behold. The desolation, horror, blood, and ruin, Thy crimes and fatal folly spread around, That loudly cry for vengeance on thy head; Yet heav'n, who knows our weak imperfect

All. Hail to you, horrors! hail, thou house of death!

And thou, the lovely mistress of these shades, Whose beauty gilds the more than midnight darkness,

Hor. Oh, fatal rashness!

Enter SCIOLTO, pale and bloody, supported by Servants.

Cal. Oh, my heart!

Well may'st thou fail; forsee, the spring that fed
Thy vital stream is wasted, and runs low.
My father! will you now, at last, forgive me,
If, after all my crimes,, and all your suff'rings,
I call you once again by that dear name?
Will you forget my shame, and those wide

wounds?

And smarted with the pain. Then rest in peace:
Let silence and oblivion hide thy name,
And save thee from the malice of posterity;
And may'st thou find with heav'n the same
forgiveness,

And makes it grateful as the dawn of day.
Oh, take me in, a fellow mourner, with thee,
I'll number groan for groan, and tear for tear;
And when the fountain of thy eyes are dry,
Mine shall supply the stream, and weep for both. As with thy father here. Die, and be happy.

Cal. I know thee well, thou art the injur'd

Altamont!

Thou com'st to urge me with the wrongs I've
done thee;

But know I stand upon the brink of life,
And in a moment mean to set me free
From shame and thy upbraiding.

Alt. Falsely, falsely

Dost thou accuse me! O, forbid me not
To mourn thy loss,

To wish some better fate had rul'd our loves,
And that Calista had been mine, and true.

Cal. Oh, Altamont! 'tis hard for souls like mine,
Haughty and fierce, to yield they've done amiss.
But, oh, behold! my proud, disdainful heart
Bends to thy gentler virtue. Yes, I own,

Such is thy truth, thy tenderness, and love,

Cal. Celestial sounds! Peace dawns upon
my soul,
Andev'ry pain grows less - Oh, gentle Altamont!
Think not too hardly of me when I'm gone;
But pity me-Had I but early known
Thy wondrous worth, thou excellent young man,
We had been happier both-Now 'tis too late;
And yet my eyes take pleasure to behold thee;
Thou art their last dear object-Mercy, heav'n!
[Dies.

Sci. Oh, turn thee from that fatal object,
Altamont!

Come near, and let me bless thee ere I die.
To thee and brave Horatio I bequeath
My fortunes-Lay me by thy noble father,
And love my memory as thou hast his;
For thou hast been my son-Oh, gracious heav'n!

Thou that hast endless blessings still in store | And bends him, like a drooping flow'r, to earth.

By such examples are we taught to prove
The sorrows that attend unlawful love.
Death, or some worse misfortune, soon divide

For virtue and for filial piety,
Let grief, disgrace, and want be far away;
But multiply thy mercies on his head.
Let honour, greatness, goodness, still be with him, The injur'd bridegroom from his guilty bride.
And peace in all his ways-
[Dies. If you would have the nuptial union last,
Hor. The storm of grief bears hard upon Let virtue be the bond that ties it fast.

his youth,

[Exeunt.

HUGHES.

THIS amiable man, and elegant author, was the son of a citizen of London, and was born at Marlborough, in Wiltshire, on the 29th of Jan, 1677, but received the rudiments of his education in private schools at London. Even in the very carliest parts of life his genius seemed to show itself equally inclined to each of the three sister arts, music, poetry, and design, in all which he made a very considerable progress. To his excellence in these qualifications, his contemporary and friend, Sir Richard Steele, bears the following extraordinary testimonial: "He may (says that author) be the emulation of more persons of different talents than any one I have ever known. His head, hands, or heart, were always employed in something worthy imitation. His pencil, his bow, or his pen, each of which he used in a masterly manner, were always directed to raise and entertain his own mind, or that of others, to a more cheerful prosecution of what is noble and virtuous." Such is the evidence borne to his talents by a writer of the first rank; yet he seems, for the most part, to have pursued these and other polite studies little further than by the way of agreeable amusements, under frequent confinement, occasioned by indisposition and a valetudinarian state of health. Mr. Hughes had, for some time, an employment in the office of ordnance, and was secretary to two or three commissions under the great seal for the purchase of lands, in order to the better securing the docks and harbours at Portsmouth, Chatham, and Harwich. In the year 1717, the Lord Chancellor Cowper, to whom our author had not long been known, thought proper, without any previous solicitation, to nominate him his secretary for the commissions of the peace, and to distinguish him with singular marks of his favour and affection; and, upon his Lordship's laying down the great seal, he was, at the particular recommendation of this his patron, and with the ready concurrence of his successor the Earl of Macclesfield, continued in the same employment, which he held till the time of his decease, the 17th, of Feb. 1719, being the very night on which his celebrated tragedy of The Siege of Damascus made its first appearance on the stage; when, after a life mostly spent in pain and sickness, he was carried off by a consumption having but barely completed his 42d year, and at a period in which he had just arrived at an agreeable competence, and was advancing, with rapid steps, towards the pinnacle of fame and fortune. He was privately buried in the vault under the chancel of St Andrew's church, in Holborn.

THE SIEGE OF DAMASCUS.

ACTED at Drury Lane 1719. It is generally allowed, that the characters in this tragedy are finely varied and distinguished; that the sentiments are just and well adapted to the characters; that it abounds with beautiful descriptions, apt allusions to the manners and opinions of the times wherein the scene is laid, and with noble morals; that the diction is pure, unaffected and sublime, without any meteors of style or ambitious ornaments; and that the plot is conducted in a simple and clear manner, When it was offered to the managers of Drury Lane House, in the year 1718, they refused to act it, unless the author made an alteration in the character of Phocyas, who, in the original, had been pre vailed upon to profess himself a Mahometan: pretending that he could not be a hero, if he changed his religion, and that the audience would not bear the sight of him after it, in how lively a manner soever his remorse and repentance might be described, The author (being then in a very languishing condition) finding, if he did not comply, his relations would probably loose the benefit of the play, consented, though with reluctance, to new-model the character of Phocyas The story on which this play is founded, is amply detailed in Mr. Gibbon's History, vol. V. p. 510, where we find the real name of Phocyas to have been Jonas. That author says, "Instead of a base renegado, Phocyas serves. the Arabs as an honourable ally; instead of prompting their pursuit, he flies to the succour of his countrymen, and, after killing Caled and Daran, is himself mortally wounded, and expires in the presence of Eudocia, who professes her resolution to take the veil at Constantinople.

SCENE. - The City of DAMASCUS, in SYRIA, and the Saracen Camp before it; and, in

the last Act, a Valley adjacent.

ACT I.

SCENE L-The City.

As brave men should.-Pity your wives and

children!

Yes, I do pity them, heav'n knows I do,

Enter EUMENES, followed by a Crowd of E'en more than you; nor will I yield them up,

People.

Eum. PLL hear no more. Be gone!

Or stop your clam'rous mouths, that still are open

To bawl sedition and consume our corn.

If you will follow me, send home your women,

Though at your own request, a prey to ruffians.-
Herbis, what news?

Enter HERBIS.

Her. News! we're betray'd, deserted;

And follow to the walls; there earn your safety, The works are but half mann'd; the Saracens