Don P. That, sir, shall be no lett; I am too sued, and carried with this kind surprise at well acquainted with the virtue of my friend's last, gives me wonder equal to my joy. title, to entertain a thought that can disturb it. Hyp. Here's one that at more leisure shall Hyp. Now, sir, it only stops at you. inform you all: she was ever a friend to your Don M. Well, sir, I see the paper is only conditional, and since the general welfare is concern'd, I won't refuse to lend you my helping hand to it; but if you should not make your words good, sir, I hope you won't take it ill if a man should poison you. love, has had a hearty share in the fatigue, Flora. Trusty Flora, sir, at your service! I have had many a battle with my lady upon your account; but I always told her we should Don P. And, sir, let me too warn you how you execute this promise; your flattery and do her business at last. dissembled penitence has deceiv'd me once Hyp. If I am proved one spare me not-I [Gives Hypolita the Writing, signed. Hyp. And now, don Philip, I confess you are the only injured person here. Don P. I know not that-do my friend right, and I shall easily forgive thee. Hyp. His pardon, with his thanks, I am sure I shall deserve: but how shall I forgive myself? Is there in nature left a means that can repair the shameful slights, the insults, and the long disquiets you have known from love? Don P. Let me understand thee. Hyp. Examine well your heart, and if the fierce resentment of its wrongs has not extinguished quite the usual soft compassion there, revive at least one spark in pity of my woman's weakness. Don M. Another metamorphosis! Brave girls, faith! Odzooks, we shall have 'em make campaigus shortly. Don P. In Seville I'll provide for thee. Hyp. Nay, here's another accomplice too, confederate I can't say; for honest Trappanti did not know but that I was as great a rogue as himself. Trap. It's a folly to lie; I did not indeed, madam.-But the world cannot say I have been a rogue to your ladyship - and if you had not parted with your money Hyp. Thou hadst not parted with thy honesty. Trap. Right, madam; but how should a poor naked fellow resist when he had so many pistoles held against him? [Shows Money. Don M. Ay, ay, well said, lad. Fil. Ea? A tempting bait indeed! let him offer to marry me again if he dares. [Aside. Don P. Well, Trappanti, thou hast been serviceable, however, and I'll think of thee. Oct. Nay, I am his debtor too. Trap. Ah! there's a very easy way, gentlemen, to reward me; and since you partly owe your happiness to my roguery, I should be very proud to owe mine only to your geDon P. Whither wouldst thou carry me? Oct. As how, pray? [nerosity. Hyp. The extravagant attempt I have this Trap. Why, si., I find by my constitution, day run through to meet you thus, justly may that it is as natural to be in love as to be hunsubject me to your contempt and scorn, unless gry, and that I han't a jot less stomach than the same forgiving goodness that used to over-the best of my betters; and though I have oftlook the failings of Hypolita, prove still my en thought a wife but dining every day upon friend, and soften all with the excuse of love. the same dish; yet methinks it's better than [All seem amazed] O Philip-Hypolita is- no dinner at all. Upon which considerations, yours for ever. [They advance slowly, and gentlemen and ladies, I desire you'll use your at lastrush into one another's Arms. interest with Madona here-To admit me into Don P. It is, it is, Hypolita! And yet 'tis her good graces. she! I know her by the busy pulses at my Don M. A pleasant rogue, faith! Odzooks, heart, which only love like mine can feel, and the jade shall have him. Come, hussy, he's she alone can give. [Embraces her eagerly. an ingenious person. Don M. Have I then been pleased, and pla- Vil. Sir, I don't understand his stuff; when gued, and frighted out of my wits, by a wo- he speaks plain I know what to say to him. man all this while? Odsbud, she is a notable Trap. Why then, in plain terms, let me a contriver! Stand clear, ho! For if I have not lease for life. - Marry me. a fair brush at her lips; nay, if she does not give me the hearty smack too, odds-winds and thunder, she is not the good-humour'd girl I take her for. Vil. Ay, now you say something-I was afraid, by what you said in the garden, you had only a mind to be a wicked tenant at will. Trap. No, no, child, I have no mind to be Hyp. Come, sir, I won't balk your good turn'd out at a quarter's warning. humour. [He kisses her] And now I have a Vil. Well, there's my hand-And now meet favour to beg of you; you remember your me as soon as you will with a canonical promise: only your blessing here, sir. lawyer, and I'll give you possession of the [Octavio and Rosara kneel. rest of the premises. Don M. Ah! I can deny thee nothing; and Don M. Odzooks, and well thought of, I'll so, children, heaven bless ye together-And send for one presently. Here, you, sirrah, run now my cares are over again. to father Benedick again, tell him his work Oct. We'll study to deserve your love, sir. don't hold here, his last marriage is dropp'd Don P. My friend successful too! Then my to pieces; but now we have got better tackle, joys double-But how this generous at- he must come and stitch two or three fresh tempt was started first, how it has been pur-couple together as fast as he can. are Don P. Now, my Hypolita! O! never let a virtuous mind despair, [Exeunt. GEORGE COLMAN Was the son of Francis Colman, Esq., His Majesty's resident at the court of the Grand Duke of Tuscany at Florence, by a sister of the Countess of Bath. He was born at Florence about 1753, and had the honour of having king George the Second for his godfather. He received his education at Westminster School, where he very early showed his poetical talents. The first performance by him was a copy of verses addressed to his cousin Lord Pulteney, written in the year 1747, while he was at Westminster, and since printed in The St. Jame's Magazine, a work published by his unfortunate friend, Robert Lloyd. From Westminster School he removed to Oxford, and became a student of Christchurch, It was there, at a very early age, that he engaged with his friend Bonnel Thornton, in publishing The Connoisseur, a periodical paper which appeared once a week, and was continued from Jan. 51. 1754. to Sept. 30. 1756, When the age of the writers of this entertaining paper is considered, the wit and humour, the spirit, the good sense and shrewd observations on life and manners, with which it abounds, will excite some degree of wonder; but will, at the same time, evidently point out the extraordinary talents which were afterwards to be more fully displayed in The Jealous Wife and The Clandestine Marriage. The recommendation of his friends, or his choice, but probably the former, induced him to fix upon the law for his profession; and was accordingly entered at Lincoln's Inn, and in due season called to the bar. He attended there a very short time; though, if our recollection does not mislead us, he was seen often enough in the courts to prevent the supposition of his abandoning the profession merely for want of encouragement. On the 18th of March 1758, he took the degree ef Master of arts at Oxford; and in the year 1760 his first dramatic piece, Polly Honeycomb, was acted at Drury Lane, with great success. For several years before, the comic Muse seemed to have relinquished the stage. No comedy had been produced at either theatre since the year 1751, when Moure's Gil Blas was with difficulty performed nine nigts. In July 1764 Lord Bath died and on that event Mr. Colman found himself in circumstances fully sufficient to enable him to follow the bent of his genius. The first publication which he produced, after this period, was a translation in blank verse of the comedies of Terence, 1765; and whoever would wish to see the spirit of an aucient bard transfused into the English language, must look for it in Mr. Colman's version. The successor of Lord Bath, General Pulteney, died in 1767; and Mr. Colman again found himself remembered in his will, by a second annuity, which confirmed the independency of his fortune. He seems, however, to have felt no charms in an idle life; as, in 1767, he united with Messrs. Harris, Rutherford, and Powell, in the purchase of Covent Garden Theatre, and took upon himself the laborious office of acting manager. After continuing manager of Covent Garden Theatre seven years, Mr. Colman sold his share and interest therein to Mr. James Leake, one of his then partners; and, in 1777, purchased of Mr. Foote the Little Theatre in the Haymarket. The estimation in which the entertainments exhibited under his direction were held by the public, the reputation which the theatre acqaired, and the continual concourse of the polite world during the height of summer, sufficiently spoke the praises of Mr. Colman's management. Indeed, it has been long admitted, that no person, since the death of Mr. Garrick, was so able to superintend the entertainments of the stage as the subject of this account. About the year 1785 Mr. Colman gave the public a new translation of, and commentary on, Horace's Art of Poetry; in which he produced a new system to explain this very dificult poem. In opposition to Dr. Hurd, he supposed, "that one of the sons of Piso, undoubtedly the elder, hat either written or mediated a poetical work, most probably a tragedy; and that he had, with the knowledge of the family, communicated his piece or intention to Horace. But Horace either dissaproving of the work, or doubting of the poetical faculties of the elder Piso, or both, wished to dissuade him from all thought of publication. With this view he formed the design of writing this epistle; addressing it, with a courtliness and delicacy perfectly agreeable to his acknowledged character, indifferently to the whole family, the father and his two sons. Epistola ad Pisones de arte Poetica." This hypothesis is supported with much learning, ingenuity, and modesty; and, if not fully established, is at least as well entitled to applause as that adopted by the Bishop of Worcester. On the publication of the Horace, the Bishop said to Dr. Douglas, "Give my compliments to Colman, and thank him for the handsome manner in which he has treated me; and tell him, that I think he is right" Mr. Colman died at Paddington, on the tith of August 1794, at the age of 62. A few hours before his death he was seized with violent spasms; and these were succeeded by a melancholy stupor, in which he drew his last breath. THE JEALOUS WIFE, Com, by Geo. Colman, 1761. This piece made its appearance at Drury Lane with prodigious success. The groundwork of it is derived from Fielding's History of Tom Jones, at the period of Sophia's taking refuge at Lady Bellaston's hous. The characters horrowed from that work, however, only serve as a kind of underplot to introduce Mr. and Mrs. Oakley, viz, the Jealous Wife and her husband. It must be confessed, that the passions of the lady are here worked up to a very great height; and Mr. Oakley's vexation and domestic misery, in consequence of her behaviour, are very strongly supported. Yet, perhaps, the author would have better answered his purpose with respect to the passion he intended to expose the absurdity of, had he made her appear somewhat less of the virago, and Mr. Oakley not so much of the henpecked husband; since she now appears rather a lady, who, from a consciousness of her own power, is desirous of supporting the appearance of jealousy, to procure her an indue influence over her husband and family, than one, who, feeling the reality of that turbulent yet fluctuating passion, becomes equally absurd in the suddenness of forming unjust suspicions, and in that hastiness of being satisfied, which love, the only true basis of jealousy, will constantly Occasion. When this play was originally acted, it was remarked, that the scene of Mrs. Oakley's hysteric fits borea near resemblance to the like situation of Mrs. Termagant in The Squire of Alsatia. Mr. Colman has been accused of a misnomer in calling it The Jealous Wife; Mrs. Oakley being totally destitute of that delicacy, which some consider necessary to constitute jealousy. Many exceptions might be taken to the characters in this piece-that of Lady Freelove is perhaps odious for the stage, while that of Captain O'Cutter does little honour to the navy. The play, however, upon the whole, boasts more than an ordinary share of merit. O ALLY. too DRAMATIS PERSONAE. RUSSET. CAPTAIN O'CUTTER. WILLIAM. TOJEET. CHAMBERMAID. ACT I. SCENE. I.-A Room in OAKLY's House. her miseries. - How unfortunate a woman am [Throwing herself into a Chair. Ouk. There it is-Now dare not I stir a [Noise heard within. step further-If I offer to go, she is in one of Mrs. O. [Within] Don't tell me I know her fits in an instant-Never sure was woit is so-It's monstrous, and I will not bear it. Oak. [Within] But, my dear! Mrs. O. Nay, nay, etc. [Squabbling within. Enter MRS. OAKLY, with a Letter, followed by OAKLY. Mrs. O. Say what you will, Mr. Oakly, you shall never persuade me but this is some filthy intrigue of yours. Oak. I can assure you, my love Mrs. O. Your love! - Don't I know yourTell me, I say, this instant, every circumstance relating to this letter. Oak. How can I tell you, when you will not so much as let me see it? man at once of so violent and so delicate a Oak. Do not vex yourself at this rate- Mrs. O. Oh, I am an unhappy woman! Oak. Dry up thy tears, my love, and be [Takes the Letter. Mrs. O. There! take it; you know the hand, Mrs. O. Look you, Mr. Oakly, this usage is not to be borne. You take a pleasure in abusing my tenderness and soft disposition.To be perpetually running over the whole I am sure. town, nay, the whole kingdom too, in pursuit Oak. [Reads] To Charles Oakly, Esq.of your amours! - Did not I discover that Hand! 'Tis a clerk-like hand, a good round you was great with mademoiselle, my own text! and was certainly never penned by a woman? Did not you contract a shameful fair lady. familiarity with Mrs. Freeman? Did not I detect your intrigue with lady Wealthy?-— Was not you Mrs. O. Ay, laugh at me, do! Oak. Forgive me, my love, I dit not mean to laugh at thee-But what says the letter? Oak. Oons! madam, the grand Turk him- [Reads] Daughter eloped-you must be self has not half so many mistresses-Yo throw privy to it-scandalous-dishonourable-same out of all patience-Do I know any body tisfaction-revenge-um, um, um-injured but our common friends?-Am I visited by father. HENRY RUSSET. any body that does not visit you?-Do I ever Mrs. O. [Rising] Well, sir-you see I have go out, unless you go with me?-And am I detected you-Tell me this instant where she not as constantly by your side as if I was is concealed. tied to your apron-strings? Oak. So-so-so- This hurts me-I'm [To himself. not I found you out a thousand times? And Mrs. O. What, are you confounded with have not I this moment a letter in my hand, your guilt? Have I caught you at last? which convinces me of your baseness?-Let me know the whole affair, or I will Mrs. O. Go, go; you are a false man-Have shocked. Oak. Let you know! Let me know what you would have of me - You stop my letter before it comes to my hands, and then expect that I should know the contents of it! Mrs. O. Heaven be praised, I stopped it!I suspected some of these doings for some time past-But the letter informs me who she is, and I'll be revenged on her sufficiently. Oh, you base man, you! no Oak. O that wicked Charles! To decoy a Mrs. O. [Half aside, and musing] Char- Oak. He has certainly ruined this poor lady. Mrs. O. Art! art! all art! There's a sudden Oak. I beg, my dear, that you would moderate your passion!-Show me the letter, and I'll convince you of my innocence. had never had the care of him. Oak. Such an abandoned action! I wish I Mrs. O. Innocence! - Abonimable!- Innocence! But I am not to be made such a fool -I am convinced of your perfidy, and very sure that Mrs. O. Mighty fine, Mr. Oakly! Go on, sir, go on! I see what you mean. Your assurance provokes me beyond your very falsehood itself. So you imagine, sir, that this af Oak. 'Sdeath and fire! your passion hurries sected concern, this flimsy pretence about you out of your senses-Will you hear me? Charles, is to bring you off. Matchless conMrs. O. No, you are a base man: and I fidence! But I am armed against every thing will not hear you. -I am prepared for all your dark schemes: Oak. Why then, my dear, since you will I am aware of all your low stratageins. neither talk reasonably yourself, nor listen to Oak. See there now! Was ever any thing reason from me, I shall take my leave till so provoking? To persevere in your ridicuyou are in a better humour. So your servant! lous-For heaven's sake, my dear, don't dis[Going. tract me. When you see my mind thus agiMrs. O. Ay, go, you cruel man! Go to tated and uneasy, that a young fellow, whom your mistresses, and leave your poor wife to his dying father, my own brother, committed 1 2 to my care, should be guilty of such enor-think the whole family is made of nothing but mous wickedness; I say, when you are wit-combustibles. ness of my distress on this occasion, how can Oak. I like this emotion; it looks well: it you be weak enough and cruel enough to may serve too to convince my wife of the Mrs. O. Prodigiously well, sir! You do it folly of her suspicions. Would to heaven I very well. Nay, keep it up, carry it on; could quiet them for ever! there's nothing like going through with it. O, Maj. O. Why pray now, my dear, naughty you artful creature! But, sir, I am not to be brother, what heinous offence have you comso easily satisfied. I do not believe a syllable mitted this morning? What new cause of of all this - Give me the letter-[Snatches the suspicion? You have been asking one of the Letter] You shall sorely repent this vile bu-maids to mend your ruffle, I suppose, or have siness, for I am resolved that I will know the been hanging your head out at the window, [Exit. when a pretty young woman has passed by, bottom of it. Oak. This is beyond all patience. Provok-oring woman! Her absurd suspicions interpret Oak. How can you trifle with my distresses, every thing the wrong way. But this ungra- major? Did not I tell you it was about a cious boy! In how many troubles will he letter? involve his own and his lady's family!-I ne- Maj. O. A letter!-hum-A suspicious cirver imagined that he was of such abandoned cumstance, to be sure! What, and the seal principles. Enter MAJOR OAKLY and CHARLES. Charles. Good morrow, sir! a truelover's knot now, hey? or a heart trans- of or Maj. O. Good morrow, brother, good mor-a wafer, pricked with a pin, and the direction row!-What! you have been at the old work, written in a vile scrawl, and not a word spelt I find. I heard you-ding! dong! i'faith!- as it should be! ha, ha, ha! She has rung a noble peal in your ears. But Oak. Pooh! brother-Whatever it was, the how now? Why sure you've had a remark- letter, you find, was for Charles, not for me able warm bout on't.- You seem more ruffled - this outrageous jealousy is the devil. than usual. Maj. O. Mere matrimonial blessings and Oak. I am, indeed, brother! Thanks to that domestic comfort, brother! jealousy is a ceryoung gentleman there. Have a care, Charles! tain sign of love. you may be called to a severe account for Oak. Love! it is this very love that hath this. The honour of a family, sir, is no such made us both so miserable. Her love for me light matter. has confined me to my house, like a state prisoner, without the liberty of seeing my Maj. O. Hey-day! What, has a curtain lec- friends, or the use of pen, ink, and paper; ture re produced lecture of morality? What while my love for her has made such a fool is all this? Charles. Sir! a Oak. To a profligate mind, perhaps, these things may appear agreeable in the beginning. But don't you tremble at the consequences? Charles. I see, sir, that you are displeased -with me; but I am quite at a loss to guess at the occasion. Oak. Tell me, sir!-where is miss Harriot Russet? of me, that I have never had the spirit to contradict her. Maj. O. Ay, ay, there you've hit it, Mrs. Oakly would make an excellent wife, if you did but know how to manage her. Oak. You are a rare fellow indeed to talk of managing a wife-A debauched bachelor -a rattle-brained, rioting fellow-who have picked up your commonplace notions of women in bagnios, taverns, and the camp; Charles. Miss Harriot Russet! - Sir-Explain. father? Charles. I!-Decoyed her - Decoyed my Harriot!-I would sooner die than do her the least injury-What can this mean? Maj. O. I believe the young dog has been at her, after all. has been in order to delude country girls at your quarters, or to besiege the virtue of abigails, inilliners, or mantua-makers' 'prentices. Maj. O. So much the better!-so much the better! women are all alike in the main, brother, high or low, married or single, quality or Oak. I was in hopes, Charles, you had better no quality. I have fonnd them so, from a duchess principles. But there's a letter just come from down to a milk-maid; every woman is a tyher fatherrant at the bottom. But they could never make Charles. A letter! - What letter? Dear sir, a fool of me.-No, no! no woman should give it me. Some intelligence of my Harriot, ever domineer over me, let her be mistress major! The letter, sir, the letter this mo- or wife. ment, for heaven's sake! your innocence Oak. Single men can be no judges in these Oak. If this warmth, Charles, tends to prove cases. They must happen in all families. But when things are driven to extremities to see a woman in uneasiness -a woman one loves neither speak nor think like a man that has loved and been married, major! Charles. Dear sir, excuse me - I'll prove any thing-Let me but see this letter, and I'll- too-one's wife-who can withstand it? You Oak. Let you see it!-I could hardly get a sight of it myself. Mrs. Oakly has it. Charles. Has she got it? Major, I'll be with Maj. O. I wish I could hear a married man you again directly. [Exit hastily. speak my language-I'm a bachelor, it's true; Maj. O. Hey-day! The devil's in the boy! but I am no bad judge of your case for all What a fiery set of people! By my troth, I that. I know yours and Mrs. Oakly's disposition to a hair. She is all impetuosity and my study. I'll go and steal them out, while fire-a very magazine of touchwood and gun- she is busy talking with Charles. powder. You are hot enough too, upon oc- Maj. O. Steal them! for shame! Pr'ythee casion, but then it's over in an instant. In take them boldly; call for them! make them comes love and conjugal affection, as you call bring them to you here; and go out with it; that is, mere folly and weakness-and you spirit, in the face of your whole family. draw off your forces, just when you should Oak. No, no-you are wrong-let her rave pursue the attack, and follow your advantage. Have at her with spirit, and the day's your own, brother. after I am gone, and when return, you know, I shall exert myself with more propriety, after this open affront to her authority. Oak. Why, what would you have me do? Maj. O. Well, take your own way. Maj. O. Do as you please for one month, Oak. Ay, ay-let me manage it, let me mawhether she likes it or not: and I'll answer nage it. [Exit. for it she will consent you shall do as you please all her life after. In short, do but show are a rare manager! It is dangerous, they yourself a man of spirit, leave off whining say, to meddle between man and wife. I am about love and tenderness, and nonsense, and no great favourite of Mrs. Oakly's already; the business is done, brother. Maj. O. Manage it! ay, to be sure, you and in a week's time I expect to have the Enter CHARLES. How now, Charles, what news? Oak. I believe you are in the right, major! door shut in my teeth. I see you are in the right. I'll do it-I'll certainly do it. But then it hurts me to the soul, to think what uneasiness I shall give her. The first opening of my design will throw her into fits, and the pursuit of it, perhaps, may be fatal. Charles. Ruined and undone! She's gone, uncle! my Harriot's lost for ever. Maj. O. Gone off with a man?-I thought so; they are all alike. Charles. Oh no! Fled to avoid that hateful Maj. O. Faith, a girl of spirit; but whence comes all this intelligence? Maj. O. Fits! ha, ha, ha!-I'll engage to cure her of her fits. Nobody understands hy-match with sir Harry Beagle. sterical cases better than I do; besides, my sister's symptoms are not very dangerous. Did you ever hear of her falling into a fit when Charles. In an angry letter from her father you was not by?- Was she ever found in -How miserable I am! If I had not offendconvulsions in her closet?-No, no, these fits, ed my Harriot, much offended her, by that the more care you take of them, the more foolish riot and drinking at your house in the you will increase the distemper: let them country, she would certainly, at such a time, alone, and they will wear themselves out, I have taken refuge in my arms. Maj. O. A very agreeable refuge for a young lady to be sure, and extremely decent! Charles. What a heap of extravagancies was I guilty of! Oak. You shall see now, major! -Who's there? Enter Servant. Maj O. Extravagancies with a witness! Ah, you silly young dog, you would ruin yourself with her father, in spite of all I could do. There you sat, as drunk as a lord, telling the old gentleman the whole affair, and swearing you would drive sir Harry Beagle out of the country, though I kept winking and nodding, shins under the table, in hopes of stopping you; but all to no purpose. Order the coach directly. I shall dine out pulling you by the sleeve, and kicking your to-day. Serv. The coach, sir? -Now, sir? Oak. Ay, now, immediately. Sero. Now, sir!-the-the-coach, sir? that is my mistress Maj. O. Sirrah! do as you are bid. Bid them put to this instant. Sero. Ye-yes, sir-yes, sir. [Exit. Oak. Well, where shall we dine? Maj. O. At the St. Albans, or where you will. This is excellent; if you do but hold it. Oak. I will have my own way, I am determined. Maj. O. That's right. Oak. I am steel. Maj. O. Bravo! Oak. Adamant. Maj. O. O Bravissimo! Oak. Just what you'd have me. Charles. What distress may she be in at this instant! Alone and defenceless! - Where, where can she be? Maj. O. What relations or friends has she in town? Charles. Relations! let me see. - Faith, I have it!-If she is in town, ten to one but she is at her aunt's, lady Freelove's. I'll go thither immediately. Maj. O. Lady Freelove's! Hold, hold, Charles! do you know her ladyship? Charles. Not much! but I'll break through all, to get to my Harriot. Maj. O. I do know her ladyship. Charles. Well, and what do you know of her? Maj. O. O, nothing! - Her ladyship is a Maj. O. Why that's well said. But will you woman of the world, that's alldo it? Oak. I will. Maj. O. You won't. Oak. I will. I'll be a fool to her no longer. Charles. What do you mean? Maj. O. That lady Freelove is an arrantBy-the by, did not she, last summer, make formal proposals to Harriot's father from lord But harkye, major, my hat and cane lie in Trinket? |